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When Frank Behr’s friend and mentor is murdered without any apparent motive, he thirsts for answers and retaliation. But before he can make headway in the dead-end investigation, a private firm approaches him with a delicate proposition: two of its detectives have gone missing, and the firm wants Behr to find out what happened to them. The search for the missing detectives takes Behr into the recesses of Indianapolis’s underworld, a place rife with brutality and vice where Behr uncovers a shocking thread connecting the missing detectives to his friend’s brutal murder, and, in the process, an ominous, deadly new breed of crime family.
From the Paperback edition.
- Sales Rank: #624599 in eBooks
- Published on: 2009-06-14
- Released on: 2009-07-07
- Format: Kindle eBook
Amazon.com Review
Amazon Exclusive: Christopher Reich Reviews Where the Dead Lay
Christopher Reich is the New York Times bestselling author of Rules of Deception, Numbered Account, and The Runner. His novel, The Patriots Club, won the International Thriller Writers award for Best Novel in 2006. His latest thriller, Rules of Vengeance, will be published in August 2009. Read his exclusive Amazon guest review of Where the Dead Lay:
Welcome to the Jungle. Open the first page of David Levien’s terrific new novel Where the Dead Lay and you’ll find your shoes firmly planted on the mean streets of Indianapolis, Indiana. This is tough turf, home to hell-bent criminals, double-dealing lawyers, lost souls seeking redemption, and a brooding P.I. named Frank Behr who, as his name implies, is the toughest of them all. It’s a dark world full of shifty, dangerous characters and Levien paints it as a masterpiece of grays and blacks. We’re talking Caravaggio here. Chiaroscuro. We’ve walked these streets before, in Detroit, D.C., and Miami Beach, with authors like Ross MacDonald, Elmore Leonard, and Peter Blauner. But it’s been a while since a new author has shown up to rival them. Enter Mr. Levien.
His first novel, City of the Sun, established his bonafides. I read it in a day and I came away shaken. This was a crime novel of a different order. Sure it had solid plotting, an unbeatable ear for dialogue, and compelling characters. But it also had a depth of humanity and pathos that lifted it out of the genre. Where the Dead Lay continues in this rich and satisfying vein.
When Frank Behr’s Brazilian martial arts instructor is brutally murdered, Behr is compelled out of friendship, and a student’s duty, to investigate. The serpentine trail leads to the city’s underbelly, notably to the Schlegels, a family of small-time hoods with big-time ambitions, and no compunction about doing whatever necessary to realize them. Levien’s writing shines in his depiction of the bad guys. They don’t come to life so much as walk in your front door, sit down on the edge of your bed, and put a gun to your head. They are real. They are scary. Behr has plenty of his own problems to sort out along the way. The “dead” referred to in the title are as much from the past as the present. It’s Behr’s internal struggles that make him a memorable hero and lend the book its eloquent voice.
Where the Dead Lay delivers on all counts.
It is crime fiction at its finest. —Christopher Reich
(Photo © Katja Reich)
Amazon Exclusive: An Essay by David Levien
Some Things You Need to Know
Many people ask me for advice on writing a crime novel, how to go about it and what they need to know. The question provokes in me the immediate desire that they had asked someone else—say a Hammett, or a Chandler, or an Ellroy, a Leonard or a Child—someone with a pile of books to his name and a patina of mastery, and not me with my two crime titles (City of the Sun and Where the Dead Lay) so far. Though the responsibility and length of a proper answer is daunting, here is a short one: you need to know at least a little bit about a lot.
You need to know a little bit about guns, a touch about surveillance, at least something about police procedure. Some knowledge of the law can be useful, perhaps a basic understanding of fighting and physical violence. You need grounding in the facts or history of crime—the way organized crime works, about various frauds, how a gambling ring takes its profit, the elements of extortion, the layers of a drug operation. This stuff and more is the stock in trade for my character Frank Behr—it’s what keeps him alive—so I’ve had to learn it.
You may not have an ex-police officer, Secret Service Agent, and private investigator for a stepfather (who also happens to be a great guy) as I am fortunate to, or count amongst your friends ex-cops and various experts in the field. But if you can get a ride-along or develop some relationships with law enforcement, it will surely help.
More than all that though, you need a sense, or at least a theory or idea, as to why these people do what they do. This goes for the bad guys as well as the good guys, your heroes and your villains alike. Whether you are dealing with dissociative personalities, sociopaths, or full-blown psychopaths, or drawing the obsessive types who pursue them. What makes them get started crossing that line, or trying to hold it, and what makes them keep going when the odds are against them? It’s not easy supporting oneself by scamming or dealing or boosting, and it’s no easier trying to stop it.
Oh yeah, then you’ve got to write it all down. Now that’s the part where real advice is called for, and again, please ask someone better qualified than me to give it. But if you do set out, and you happen to find yourself frozen by the specter of the thousands upon thousands of crime books, many of them true works of literature, that have come before yours, you could always resort to what so many of the greats have from time to time—steal a little.—David Levien
(Photo © Peter Andrews)
From Publishers Weekly
Indianapolis PI Frank Behr juggles two cases in Levien's disjointed follow-up to City of the Sun. When Behr's Brazilian jujitsu instructor is shot to death execution-style at the Brazilian's martial arts studio, he decides to investigate unofficially. A real job soon comes Behr's way when a high-powered PI firm asks him to track down two of their missing investigators, who disappeared in the middle of a case involving derelict properties being used for illegal gambling dens. In taking a close look at the gaming dens, Behr comes face to face with a family of thugs who have launched a turf war to secure a monopoly on neighborhood crime. Despite the book's hefty body count, Levien is more interested in exploring the nature of violence, contrasting the controlled beauty of jujitsu with the unpredictable dangers of gunfights. While readers will admire Behr's determination to solve his friend's murder, some may feel that case distracts too much from his formal assignment. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“Levien is the new must-read thriller writer.” —Lee Child
“A punishing piece of fiction, overflowing with intrigue. . . . [With] enough cutthroat action to keep your eyebrows in upright position for days.” —The Free-Lance Star
“Where the Dead Lay delivers on all counts. It is crime fiction at its finest.” —Christopher Reich
“Violent and compelling. . . . This is American thriller writing at its rocket-fuelled, roller-coaster best.” —Daily Mail
“Fast-paced, well-plotted and moving. . . . Levien has an ear for dialogue that many of us don’t often hear. . . . Gripping.” —Indianopolis Star
“David Levien is a marvel. His dialogue is straight-up, so street that it’s a wonder the pages aren’t coated with grit. His descriptions are true to life, real and unflinching, a combination of Mickey Spillane, Wallace Stroby and Richard Stark, but nonetheless all Levien.” —Bookreporter.com
“Where the Dead Lay is written with such natural power, is so attuned to the story and the reader, that you might wish you could unread it, just to experience it a second time.” —Bookotron.com
From the Paperback edition.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Michael Connelly should watch his back
By Chuck Wilson
Here's the thing: David Levien can write. There's passion and soulfulness and a lot of sorrow in his descriptions of how his private detective, Frank Behr, sees the world, and that alone sets Levien apart from most of the more famous mystery writers of the day. Levien appears to be writing because he needs to, not just 'cause he's got a multi-book contract to fill (success is not always good for a writer). "Where the Dead Lay" isn't nearly as potent as Levien's stunning first novel, "City of the Sun", but tonight it had me lingering at a coffee shop counter long after I'd finished my meal, and it's kept me up til 1:30 in the morning to finish. Tonight, Mr. Levien reminded me that there is no sweeter day than the one you've spent with a really good novel and for that I am most grateful.
3 of 5 people found the following review helpful.
Frank Behr Takes On A Ruthless Crime Family
By TMStyles
What an exciting discovery David Levien has turned out to be for this reader. His "City Of The Sun" was a masterful and disturbing debut novel and "Where The Dead Lay" proves that that effort was just the beginning of a long and very promising career for Levien and his signature character, Frank Behr.
Behr is a brooding, conflicted, yet compassionate ex-cop turned PI who is seeking to lay his past to rest in order to truly begin living his life fully again. Indeed, his character is so well written, fleshed, and real that the plot is often secondary to his inner struggles to do the right thing at the right time. He is a bear of a man and a gritty street fighter trained in mixed martial arts yet these qualities do not serve to help him deal with his inner demons.
In "Where The Dead Lay", Levien involves Behr in two separate cases that converge sooner than later into a single stunning case that will require all Behr's training, experience, and intuition to not only solve, but to survive. Initially Frank's close friend and Brazilian martial arts master is killed in a seeming execution at his studio. Feeling personally affronted, Frank moves to solve the case on his own time. Almost concurrently, a high powered PI firm asks for his help in finding two of their operatives who have gone missing. When Behr turns them down, his old boss and nemesis, Captain Pomeroy, leans on him to get involved.
These two cases ultimately throw Frank into a desperate life and death struggle with the Schlegels, a ruthless, violent, amoral family preying on the innocent (and the not-so-innocent) with no conscience or remorse as they attempt to gain control of an underground gambling enterprise in Indianapolis among other criminal pursuits. The ruthless Schlegel crime family is so realistically portrayed that the reader will shiver involuntarily at times. There is a sub plot involving his girl friend, Susan, that will leave the reader wondering quizzically at the end.
Levien has a gift for incorporating humanity and human emotions into the hard boiled noir world of Frank Behr. His characters are real, credible, and possess the depth needed to get the reader to quickly wonder about them and care about them. His pacing is at times breathless but never without including the human element of the protagonist. His plots are real, entertaining, and remarkably fresh. I unequivocally recommend this book and series to any fan of the hard-boiled thriller genre.
0 of 0 people found the following review helpful.
True to Life, Real and Unflinching
By Bookreporter
If I could take copies of WHERE THE DEAD LAY, the new Frank Behr novel by David Levien, and thrust one into the hands of every fan of noir fiction I know, I would do it. As he did with the amazing CITY OF THE SUN, Levien has taken Indianapolis --- a city with a benign, even ho-hum reputation --- and cast a light on its dark-alley underbelly by taking his readers on a tour of those places where the buses don't run. Behr, a former Indianapolis cop turned private investigator, is the tour guide; he is a deeply troubled man who tiptoes around the edge of his own sanity even as circumstances seem to constantly conspire to push him over the edge.
Within the first few pages of WHERE THE DEAD LAY, Behr finds that Aurelio Santos, his friend and martial arts mentor, has been brutally and senselessly murdered. Behr is obsessed almost as much with the "why" of the murder as with the "who," given that Santos appeared to have no real enemies, at least none capable of killing him. Behr attempts to clear the decks of his PI work in order to devote his full attention to his friend's death. However, circumstances conspire against him. A high-powered investigation firm with a national reputation wants to retain Behr for the purpose of determining the fate of two of its operatives who have suddenly gone missing. Behr initially declines, at least until he receives some encouragement from an unexpected source: Captain Pomeroy of the Indianapolis P.D., Behr's former boss and the man who holds the keys to his potential reinstatement on the force.
Behr's involvement in the case draws him slowly but steadily into the path of the Schlegels, a chilling family of criminals comprised of a father and three sons who combine a brutal intelligence with an animal cunning and a casual cruelty. It is Terry, the father, who has a plan to take over a segment of illicit activity in the vacant houses of the back streets of Indianapolis and who utilizes his sons as the instrumentality to make it happen, all from the interior of their bar, a quasi-legitimate business where any threat is laid to rest quickly and explosively. Unknown to Terry, two of his sons have an independent entrepreneurial inclination that will have the potential to either make the Schlegels extremely wealthy or tear them apart. And as Behr's sights begin to close in on the Schlegels, he realizes that he is working not two cases, but one.
David Levien is a marvel. His dialogue is straight-up, so street that it's a wonder the pages aren't coated with grit. His descriptions are true to life, real and unflinching, a combination of Mickey Spillane, Wallace Stroby and Richard Stark, but nonetheless all Levien. And Behr is as real a dead-end, conflicted character as you are likely to find. Those who read the critically acclaimed CITY OF THE SUN will find even more to love in this unflinching yet roughly poetic account of street-level bangers who are off the radar of most people yet who hover just around the corner.
--- Reviewed by Joe Hartlaub
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